The vitriol is inspiring. A horrible film deserves to be publically explosed as such. This is what the media giants hoped to avoid when they bought out the newspapers and replaced their critics sections with paid advertisements for their films.
I should have learned long ago that no intellectual property is safe from the scourge of unnecessary remakes; not even seemingly safe 1980’s cult sci-fi classics. Alas, the day has arrived for Robocop to be tied down to the sacrificial alter so that another generation of twitchy, attention deficit kids can be exposed to a cherished franchise in precisely the wrong way.
Robocop comes to us from Brazilian director José Padilha, chosen for the commercial success of his previous foreign language films Elite Squad and Elite Squad: The Enemy Within. Apparently, Darren Aronofsky was, at one time, slated to direct, though he ultimately declined so that he could direct his upcoming film, Noah. Now, since Aronofsky opted out of Robocop, The Wolverine, and a plethora of other recent films that otherwise would have doubtless been outstanding under his direction, I fully anticipate that Noah will be the…
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